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Preserving the Memory of Marilyn Monroe with Dignity and Grace

Posts Tagged with Marilyn Monroe

“THE VILLIAN AND THE SHOWGIRL” BY HAZEL BIRDSALL
Published August 10, 2019

“THE VILLIAN AND THE SHOWGIRL” BY HAZEL BIRDSALL

Arthur Miller. In the Marilyn community his very name conjures up images of The Hooded Claw; a cartoon villain with very few likeable qualities, a man whose appearance in the life of the heroine provokes boos and hisses from the viewing public. When an Arthur Miller photo or article is posted online in a Marilyn community group you can almost guarantee that it will be followed a flurry of negative comments, polarised views and hot debate. One comment that crops up on a regular basis is this; he didn’t love her at all.

Joe V Arthur

To the press and much of the American public, Joe DiMaggio and Marilyn Monroe were a dream couple; the legendary sportsman and the sexy movie star, happily married and planning a life together. By late 1954, less than a year after their wedding, their passionate relationship had broken down when it had become apparent to Marilyn that the couple had little in common. Joe had a jealous streak and wanted a wife but instead, he got a movie star. There were rumours of domestic violence and after just nine months, the couple divorced. For the remainder of her life, Joe worked hard to woo Marilyn back and change his ways, only maintaining his distance when she married Miller. In 1961 after her divorce, Joe was on hand to offer Marilyn his support and friendship when she needed it. At the time she said “I’ve always been able to reply on Joe after the first bitterness of our parting faded.” Tragically less than a year later he was the one person that Bernice turned to when she needed someone to claim the body of her half-sister while she made the trip from Florida to the West Coast. A heartbroken Joe maintained a promise he had made to Marilyn during their courtship when they had discussed the loving gesture made by William Powell after Jean Harlow’s early death. Joe kept that promise for twenty years; a weekly delivery of fresh roses to Marilyn’s crypt.

In the eyes of many, how could any other man compete with Joe’s devotion?

Marilyn first met Arthur Miller during the filming of ‘As Young As You Feel’ in 1951. He had made the trip west with friend and director, Elia Kazen, who was under contract with Fox and had some business with the studios. Over the course of several days, Marilyn, who knew Kazen through a casual affair, accompanied the duo to various meetings and had run into them later at a party. Marilyn’s acting coach, Natasha Lytess recalls Marilyn telling her “It was like running into a tree! You know, like a cool drink when you’ve got a fever. You see my toe, this toe? Well he sat and held my toe and we just looked into each other’s eyes almost all evening.” In his 1987 biography, Miller recalled a distressed Marilyn still grieving over the death of agent and lover Johnny Hyde “her face seemed puffed (with crying) and not especially beautiful but she could hardly move a finger without striking the heart with the beauty of its curving line’ On his return to New York, the couple acknowledged that a spark had been ignited and over the course of the next four years exchanged a number of letters. Miller was racked with guilt as he was married with two children however; at this point he states their connection was purely an emotional one. In his journals he noted ‘I know longer knew what I wanted, certainly not the end of my marriage, but the thought of putting Marilyn out of my life was unbearable’

Marilyn Monroe in 1951 pictured reading Arthurs work.

 

After her marriage to Joe was over, Marilyn left the West Coast and went into exile in New York where she headed for The Actors Studio and eventually to Arthur Miller, who later separated and divorced his first wife Mary. Marilyn and Arthur married in 1956 and sadly went through the heartache of unsuccessful pregnancies, infidelity and 1960, the breakdown of their marriage. Although Miller remarried within a year of their divorce, he was still struggling with some aspects of his second marriage some 40 years later. His final play, ‘Finishing the Picture’, was a narrative about the filming of The Misfits, written just a few months before his own death in 2005.

So why is Arthur credited with Marilyn’s downfall and why do many believe he used her?

He was aloof and didn’t show emotion; Miller wasn’t Joe. He was not conventionally attractive and was awkward in his dealings with the press. He did not enjoy being in the limelight and naively believed that once the news of their marriage had broken, that they would be left alone to get on with their lives. He was wrong. The couple were ridiculed by journalists (‘The Egghead and the Hourglass’) and Marilyn’s efforts to move into dramatic roles were often treated with contempt. Put bluntly, the tone was set and the press were going to run and run with it and to this day, they still do.

Monroe and Miller on their wedding day.

Didn’t he need good publicity during the McCarthy Trials? Not really. Miller stood by his convictions when subpoenaed to appear before The House of Un-American Activities Committee. He had been called to testify and was offered a chance for this to ‘go away’ if he would arrange for a photo call between Marilyn and the Head of the Committee. He point blank refused. In 1957 he was found guilty of contempt of congress and was fined, blacklisted and disallowed a passport when he refused to ‘name names.’ In 1958 this verdict was overturned by the Court of Appeal after they found that the Head of the Committee had misled Miller. At the time Marilyn wrote “I am so concerned about protecting Arthur. I love him and he is the only person, the only human being I have ever known that I could love, not only as a man – to which I am attracted to practically out of my senses about – but he is the only person I trust as much as myself’

He married her for her money. Not true. Financially Miller was comfortable, he had a successful career and his work was admired by the critics. Miller did have an ex-wife and two children to support and he honoured that commitment; Marilyn had a part to play in the breakdown of that marriage and she was adamant that his children were taken care of. Financially, she knew what she was getting into. In addition, Miller was incurring almost daily legal costs with the drawn out proceedings of the HUAC which dragged out for nearly two years. Marilyn supported her husband during this process 100% and was proud that he had fought for his principles. She knew what this meant to their finances and as the main breadwinner during this period, her work supported the couple and their lifestyle.

Monroe and Miller taken by Inge Morath, who would later go on to marry Miller.

He didn’t love her. From their first meeting, Marilyn and Miller set out on a long distance friendship that evolved into a deep and meaningful love affair. Marilyn sought support for her aspirations to be a dramatic actress and Miller found a woman who was emotionally intelligent, treated badly by the Hollywood system and wanted to be appreciated for all that she was; a serious actress and pupil, a wife and hopefully in time, a mother.

By the time the couple’s relationship had gone public, they had been meeting in secret for nearly a year, and the excitement of this private affair had so inflated the expectations they had of one another that they were almost in trouble from the start. As in many new relationships, they presented the best version of themselves to the other and as the marriage came under pressure from external forces, it was tested to breaking point. Miller found himself in the role of confident, mentor and for some periods, carer and every decision he made revolved around Marilyn’s career and needs. He wanted to support her fully and as her distrust for others around her grew, she expected 100% loyalty and more and more of his time. When Marilyn discovered critical notes that Miller had made in his journal about her, the threads of trust began to unravel.

Reno 1960 The strain in the marriage was beginning to show

The most significant strain on the couple is so often overlooked but yet is so obvious. Marilyn desperately wanted children with Arthur, her two confirmed pregnancies ended in heartbreak in 1957 (an ectopic pregnancy that had to be terminated to save Marilyn’s life) and 1958 when they lost a baby approximately four months into her pregnancy. These tragic events occurred in an era when there was little support or understanding of the impact of miscarriage on a couples mental health and Marilyn suffered greatly. Her insomnia was out of control, her dependency on prescribed medication increased and she had at least three hospital admissions for corrective surgery to try and alleviate the symptoms of a the painful gynaecological condition endometriosis, which was affecting her chances of conceiving and carrying a child. Miller sought help for Marilyn and encouraged her to see her doctors but on at least two occasions, he found her unresponsive after taking too much medication. After four years of marriage and Marilyn’s extra marital affair with co-star Yves Montand, Miller was exasperated and drained. He believed that the woman he loved was now beyond help and that he had failed her, he had failed to save her from herself.

A tender moment during the filming of “The Misfits” despite the problems the marriage was facing.

Arthur Miller was not a saint. His behaviour towards Marilyn at times was ill judged and cruel. His remarriage so soon after their divorce and the news he was expecting a child must have been incredibly difficult for Marilyn but the reality was they had both moved on. The publication of his play ‘After The Fall’ came too soon after Marilyn’s death and despite his protests that Maggie was not a portrayal of Marilyn, the public reacted angrily and the run was not a success but Arthur was a writer and this was his outlet. If Marilyn had lived, there may have been a chance that the two would have become friends as she did with Joe, but we will never know.

Is it fair to bash Arthur because he wasn’t Joe or can we accept that Marilyn made her own choices and loved and was loved in return?

There was no public romantic gesture after her death as there was with Joe however towards the end of his life, Christopher Bigsby, who was writing a book on Miller, was given access to some of his papers and to the man himself at the home he had once shared with Marilyn. Bigsby noted that Miller had kept five letters Marilyn had written to him during their courtship however the most poignant reminder of their time together hung in the garage; Marilyn’s bicycle was in the same place she had left it, some forty years before.

As for the big question, did Miller really love Marilyn? The best person to ask is Miller himself.

‘She was a whirling light to me then, all paradox and enticing mystery, street tough one moment then lifted by a lyrical and poetic sensitivity that few retain past early adolescence. It was an ironical summer that I will never forget, my soul only half there (at work) and exhilarated with life and at the same time ridden with guilt. I loved her as though I had loved her all my life; her pain was mine’


‘I too was struggling because I could not smash her enemies with one magic stroke, our own relationship was wounded because she was beyond my reassurance, she had no means of preventing the complete unravelling of her belief in a person once a single thread was broken’

‘Her incredible resilience was almost heroic to me now. Without discussion we both knew we had effectively parted and I thought a pressure had been removed from her, and for that much I was glad’

Hazel Bridsall for Marilyn Remembered

REVIEW: “I’M NOT MARILYN” AT THE EDINBURGH FESTIVAL FRINGE
Published August 8, 2019

REVIEW: “I’M NOT MARILYN” AT THE EDINBURGH FESTIVAL FRINGE

“My thoughts go to sweet Marilyn Monroe who has inspired me on this quest.” Viviana Zarbo

The Edinburgh Festival Fringe is an annual event in the capital city of Scotland, showcasing talents in all the major entertainment fields: music, comedy, theatre and dance.  Throughout the years, there have been an array of productions about Marilyn Monroe being preformed at The Fringe, usually only focusing on the tragic side of the blonde actress and only ever being portrayed as the breathy, wiggly, giggly caricature in a badly fitting blonde wig and cheap white dress.  This endless fascination with Marilyn’s untimely death and peoples need to constantly dramatise the night of August 4th 1962 always leaves the fans thinking.. “but what about her incredible LIFE?”

Enter singer Viviana Zarbo, who dared to think differently.

The synopsis of the show reads:

“Andy Warhol’s paintings, JFK’s birthday song, NYC subway grate upskirt, the list goes on. Marilyn’s icon is a blend of innocence and feminine sexuality. Despite her bombshell fame, Marilyn contributed to setting the standards of the jazz and swing golden age. 57 years after her death, Viviana Zarbo, who has had a lifelong fascination with the star, reinterprets her songs composed by geniuses like Cole Porter and Irving Berlin, in a personal way and devoid of clichés. By intertwining tales about Marilyn’s life with her own, Viviana recounts how her life was shaped by Marilyn’s songs.”

In “I Am Not Marilyn,” the title speaks for itself.  Zarbo has created a show dedicated to Monroe, but there isn’t a trace of the blonde stereotype on stage before you.  What you see before you is a proper, loving tribute to Marilyn’s talents as a singer. No gimmicks, no nothing… just an incredibly talented singer paying tribute to her idol.  Viviana is accompanied on stage by two very talented musicians, Chris Neill on piano and Stephanie Legg on Saxophone, both complimenting her sweet, sultry, velvet tones and we’re treated to beautiful renditions of Monroe’s finest songs such as “Diamonds Are A Girls Best Friend,” “I Wannabe Loved By You,” “My Heart Belongs To Daddy” and a hauntingly beautiful arrangement of “Kiss” from the movie ‘Niagara’.  Zarbo is a natural in front of an audience and looks every inch the Hollywood Goddess herself in two stunning outfit changes.  It’s a perfect way to spend an afternoon in the city, you’ll feel as if you’ve been transported back into a bygone era and hopefully anyone who attends will have a new appreciation of Marilyn Monroe as a singer and not just an icon on screen.

Chatting to Viviana after the show, you can clearly tell she has a genuine passion for Marilyn and I truly wish her the best of success with her show!

Marilyn herself once said: ” I won’t be satisfied until people want to hear me sing without looking at me”, so I like to think that Monroe would definitely give this show her approval.  You have until August 17th to catch this show, so don’t miss out!

Photo credit Holly Jane Osborne

Facebook page
https://www.facebook.com/pg/vivianazarboartist/photos/?ref=page_internal
Tickets
https://tickets.edfringe.com/whats-on/i-am-not-marilyn

 

Photo credits: Copyright Holly Jane Osborne and Lorraine Nicol

Published July 31, 2019

HAPPY BIRTHDAY DON MURRAY


Here at Marilyn Remembered, we are wishing Don Murray a very happy Birthay on his 90th birthday!

Don Murray ( born July 31st 1929) is an American actor who is best known for his breakout preformance in the 1956 drama “Bus Stop” which earned him an Academy Award nomination.

Having worked in movies and television since 1954, some of his biggest credits include: “Conquest Of The Planet Of The Apes,” “Peggy Sue Got Married” and “Knots Landing.”

Murray with his wife Bettie Johnson at the New York premiere of “My Week With Marilyn” in 2011

Speaking in 2014, Murray said of his time working with Marilyn Monroe on Bus Stop:

“Bus Stop” was her comeback film. And I thought she was magnificent in it, although she was always late on the set and she had a hard time remembering her lines. She also had a very short concentration span: she would start a scene and stop in the middle because she forgot her lines. So she had to do all her scenes in tiny, little pieces because she couldn’t sustain a scene all the way through. We never saw a complete scene with her. All the actors in the film came from the stage, like Hope Lange and I, Arthur O’Connell, Eileen Heckart – everyone in the film – so we were used to having a continuous performance and we would go to the rushes to see yesterday’s work. We would see all these little pieces and we thought the film was going to be a disaster. However, the first time we saw it at a preview, all of a sudden we realized what the magic of films was, with the editing and cutting it all together: she was magnificent! I never understood why she was not nominated [for an Academy Award] for “Bus Stop”.

Happy Birthday Mr Murray!

Published July 23, 2019

“SOME LIKE IT HOT” AT 60: ORRY-KELLY AND THE OSCARS


2019 is the year that the legendary comedy “Some Like It Hot” celebrates its 60th birthday.  Who can believe it’s been that long since Sugar Kane, Josephine and Daphne came into our lives and taught us that whilst “nobodies perfect!” this film surely is and always will be.. perfection.

Sixty years on, this film still stands the test of time, regularly topping lists of the worlds greatest ever comedies, fans still flock to the Hotel Del Coronado in San Diego where the exterior shots of the famous “Seminole Ritz” was filmed and cinemas around the world can still confidently screen this classic, knowing that they will have a packed theatre full of “spills, thrills, laughs and games!”

It has always seemed a miscarriage of justice that whilst “Some Like It Hot” was nominated for 6 Academy Awards (including best actor for Jack Lemmon) it only managed to take home one statue: Best Costume Design for a black and white movie credited to Orry-Kelly.

Orry-Kelly was an Australian-American Hollywood costume designer and until being overtaken by Catherine Martin in 2014, he was Australia’s most prolific Oscar winners, having taken home 3 statues for his work in film (“An American In Paris,” “Les Girls” and “Some Like It Hot.”)

“‘Some Like It Hot’ was to star Marilyn Monroe, Tony Curtis and Jack Lemmon” the designer wrote in his memoirs: “Women I’ve Undressed”.  “It was to be produced and directed by Billy Wilder.  I had long admired Miss Monroe’s lovely face, her acting – but never her clothes.  I did something I have never done before, I tested for the job.  Armed with half a dozen lifelike sketches of Marilyn Monroe in 1928 period, I descended on the wily Puck-faced Billy Wilder.  Along with his famed biting wit I discovered he had a great taste in almost everything, including women, for his wife Audrey was both beautiful and chic.  Mr Wilder not only engaged me to dress Miss Monroe, but I was to make a couple of belles out of Tony Curtis and Jack Lemmon too.

I had been warned about Marilyn Monroe.  She was difficult, she was always late, and she was this and that.  I have always felt that if you give a star what is most becoming, even though the style may be new or foreign to her, with tact you can usually win out.  Tact, that nice little clean four letter word.  What an important part it plays in the life of a dress designer.”

You can watch Orry-kelly pick up his Academy Award at the 1960 Oscar Ceremony here:  His speech is short, but memorable!

Orry Kelly sadly passed away on February 27th 1964 of Liver failure at the age of 66.  pallbearers at his funeral included Billy Wilder, Tony Curtis and Cary Grant.  He was interred in Forrest Lawn Memorial Park, Hollywood Hills.

Purchase a copy of Orry-Kelly’s memoirs “Women I’ve Undressed” here:
https://www.amazon.co.uk/Women-Ive-Undressed-Legendary-Hollywood/dp/1760290955

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